Live-Action '5 Centimeters Per Second' Tops Art-House Box Office on Opening Day in Korea

Makoto Shinkai's beloved anime gets its first and only live-action adaptation to strong audience reception

|3 min read0
Matsumura Hokuto alongside the Korean poster for the live-action film 5 Centimeters Per Second
Matsumura Hokuto alongside the Korean poster for the live-action film 5 Centimeters Per Second

The live-action adaptation of 5 Centimeters Per Second has claimed the top spot on Korea's art-house box office on its opening day, continuing the remarkable trend of Japanese cinematic properties finding enthusiastic audiences in the Korean market.

Released on February 25, the film drew 17,950 viewers on its first day, securing third place in the overall Korean box office behind the runaway hit The Man Who Lives with the King and the action thriller HUMINT. It simultaneously topped the art-house film category, where it had already held the number one pre-sale position for weeks leading up to release.

From Anime Legend to Live-Action Reality

The film holds a unique distinction in the career of legendary anime director Makoto Shinkai, whose works include global phenomena like Your Name and Suzume. Of all his acclaimed filmography, 5 Centimeters Per Second is the first and only work to receive a live-action treatment — a fact that has fueled significant curiosity among both anime devotees and general moviegoers.

Directed by Yoshiyuki Okuyama, the live-action version retells the poignant story of Takaki and Akari, childhood friends whose lives gradually drift apart at different speeds — much like cherry blossom petals falling at five centimeters per second. The film stars Matsumura Hokuto and Takahata Mitsuki in the lead roles, with the story spanning from 1991 through 2009 as it traces the characters' evolving relationship across three distinct time periods.

A Proven Hit in Japan

The live-action adaptation had already demonstrated powerful commercial appeal in Japan, where it surpassed 710,000 viewers within 10 days of release and earned over 1 billion yen (approximately $9.15 million USD) in that same period. By the end of its theatrical run, the film had accumulated 1.6 million viewers and 2.2 billion yen (roughly $20 million USD) in total revenue — impressive figures that generated anticipation for its Korean release.

Korean Audiences Respond with Enthusiasm

Early audience reception in Korea has been overwhelmingly positive. Viewer ratings on major Korean platforms paint a favorable picture: Naver scores 8.44 out of 10, Lotte Cinema rates it at 9 out of 10, Megabox gives it 8.2, and the CGV Egg approval index stands at 89 percent.

Korean moviegoers have praised the adaptation for deepening the emotional resonance of the original anime. "The live-action version actually moved me more deeply than the animation — this is the first time I've experienced that," one CGV reviewer noted. Another audience member at Lotte Cinema wrote, "The anime left some gaps, but the live-action filled them in beautifully, and the lingering feeling just won't go away."

However, opinions have not been universally positive. Some viewers found the pacing slow, noting that expanding the original's roughly 60-minute runtime to 122 minutes tested their patience. Others mentioned that the film's deliberate use of analog film aesthetics, while artistically intentional, occasionally made certain scenes appear overly blurry.

Director Okuyama and child actress Shiroyama Noa, who plays the young Akari, are scheduled to visit Korea for special stage greetings and audience Q&A events, which are expected to further boost the film's box office momentum. The film notably outpaced the first-day audience figures of two other Shinkai-related adaptations — The Garden of Words and Children Who Chase Lost Voices — in crossing the 10,000-viewer mark.

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Jang Hojin
Jang Hojin

Entertainment Journalist · KEnterHub

Entertainment journalist specializing in K-Pop, K-Drama, and Korean celebrity news. Covers artist comebacks, drama premieres, award shows, and fan culture with in-depth reporting and analysis.

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